<?xml version="1.0" encoding="UTF-8"?>
<TEI xmlns="http://www.tei-c.org/ns/1.0">
    <teiHeader>
        <fileDesc>
            <titleStmt>
                <title>Towards the Analysis of Fan Fictions in German Language: Exploration of a Corpus from the Platform Archive of Our Own</title>
                <author>
                    <persName>
                        <surname>Schmidt</surname>
                        <forename>Thomas</forename>
                    </persName>
                    <affiliation>Media Informatics Group, University of Regensburg, Germany</affiliation>
                    <email>thomas.schmidt@ur.de</email>
                </author>
                <author>
                    <persName>
                        <surname>Grünler</surname>
                        <forename>Johanna</forename>
                    </persName>
                    <affiliation>Media Informatics Group, University of Regensburg, Germany</affiliation>
                    <email>Johanna.Gruenler@stud.uni-regensburg.de</email>
                </author>
                <author>
                    <persName>
                        <surname>Schönwerth</surname>
                        <forename>Nicole</forename>
                    </persName>
                    <affiliation>Media Informatics Group, University of Regensburg, Germany</affiliation>
                    <email>Nicole.Schoenwerth@stud.uni-regensburg.de</email>
                </author>
                <author>
                    <persName>
                        <surname>Wolff</surname>
                        <forename>Christian</forename>
                    </persName>
                    <affiliation>Media Informatics Group, University of Regensburg, Germany</affiliation>
                    <email>christian.wolff@ur.de</email>
                </author>
            </titleStmt>
            <editionStmt>
                <edition>
                    <date>2021-05-27T13:17:00Z</date>
                </edition>
            </editionStmt>
            <publicationStmt>
                <publisher>Elisabeth Burr, University of Leipzig</publisher>
                <address>
                    <addrLine>Beethovenstr. 15</addrLine>
                    <addrLine>04107 Leipzig</addrLine>
                    <addrLine>Germany</addrLine>
                    <addrLine>Elisabeth Burr</addrLine>
                </address>
            </publicationStmt>
            <sourceDesc>
                <p>Converted from a Word document</p>
            </sourceDesc>
        </fileDesc>
        <encodingDesc>
            <appInfo>
                <application ident="DHCONVALIDATOR" version="1.22">
                    <label>DHConvalidator</label>
                </application>
            </appInfo>
        </encodingDesc>
        <profileDesc>
            <textClass>
                <keywords scheme="ConfTool" n="category">
                    <term>Paper</term>
                </keywords>
                <keywords scheme="ConfTool" n="subcategory">
                    <term>Short Paper</term>
                </keywords>
                <keywords scheme="ConfTool" n="keywords">
                    <term>fan fiction</term>
                    <term>online writing</term>
                    <term>digital humanities</term>
                    <term>literary studies</term>
                    <term>fan studies</term>
                    <term>online communities</term>
                    <term>corpus creation</term>
                    <term>corpus analysis</term>
                </keywords>
                <keywords scheme="ConfTool" n="topics">
                    <term>Gathering</term>
                    <term>Programming</term>
                    <term>Content Analysis</term>
                    <term>Contextualizing</term>
                    <term>Identifying</term>
                    <term>Meta: GiveOverview</term>
                    <term>Text</term>
                    <term>Language</term>
                    <term>Metadata</term>
                    <term>Literature</term>
                    <term>not applicable</term>
                    <term>not applicable</term>
                    <term>English</term>
                </keywords>
            </textClass>
        </profileDesc>
    </teiHeader>
    <text>
        <body>
            <div type="div1" rend="DH-Heading1">
                <head>Introduction</head>
                <p>Online media and content have gained a lot of interest in <hi rend="italic"
                        >Digital Humanities</hi> (DH) in recent years (e.g. Moßburger et al. 2020;
                    Schmidt et al. 2020a; Schmidt et al. 2020c). In the context of literary studies,
                    the analysis of online creative writing platforms has gained more and more
                    popularity (Hellekson / Busse 2006; Jamison 2013). While some platforms focus on
                    the creation of original content, other platforms like <hi rend="italic">Archive
                        of our Own</hi> (AO3)<note place="foot" xml:id="ftn1" n="1">
                        <p rend="footnote text">
                            <ref target="https://archiveofourown.org/"
                                >https://archiveofourown.org/</ref>
                        </p>
                    </note> and <hi rend="italic">Fanfiction.net</hi><note place="foot"
                        xml:id="ftn2" n="2">
                        <p rend="footnote text">
                            <ref target="https://www.fanfiction.net/"
                                >https://www.fanfiction.net/</ref>
                        </p>
                    </note> focus on the specific genre of fan fiction. Fan fictions are fan-created
                    works using already existing characters and plot elements of existing famous
                    media like literature, movies or games to write new stories based on those
                    characters (Dym et al. 2018). Scholars have analyzed the history and cultural
                    influence of this text genre (Cuntz-Leng / Meintzinger 2015; Hellekson / Busse
                    2006; Jamison 2013; Thomas 2011; Van Steenhuyse 2011). Hellekson and Busse
                    (2006) highlight the striking dominance of slash fan fiction (stories focused on
                    male-male romantic and erotic relationships) in the fan fiction community.
                    Researchers in <hi rend="italic">Natural Language Processing</hi> (NLP) make use
                    of the online availability of these large bodies of narrative texts with rich
                    metadata to explore and evaluate new methods (Liu et al. 2019; Muttenthaler et
                    al. 2019; Vilares / Gómez-Rodríguez 2019; Zhang et al. 2019). However, fan
                    fictions themselves have also been subject to computational research. Among
                    other, researchers examine the metadata of fan fictions (Milli / Bamman 2016;
                    Yin et al. 2017; Schmidt / Kleindienst 2020), gender and stereotypes (Fast et
                    al. 2016) and the role and content of user feedback (Frens et al. 2018; Pianzola
                    et al. 2020; Rebora / Pianzola 2018). </p>
                <p>Overall, the focus of research is currently on English fan fictions. However, researchers in humanities argue that style, content and progression of fan fictions differ with respect to different regional cultures (Cutz-Leng / Meintzinger 2015). We propose that country-specific features, which are of interest for DH as well as cultural studies, might be expressed in such corpora and should be analyzed to verify such assumptions. Therefore, we want to investigate the benefits of the corpus analysis of non-English fan fiction for the example of German. For the preliminary analysis presented in this abstract, we focus on metadata of fan fiction and how it reflects national-specific features. In future studies we plan to compare the content of multiple languages to each other to identify country specific differences in content and style.</p>
            </div>
            <div type="div1" rend="DH-Heading1">
                <head>Corpus</head>
                <p>We have chosen AO3 as the source for creating our preliminary corpus. AO3 describes itself as a non-commercial archive for transformative fan fiction.</p>
                <p>We have created a scraper to gather every chapter of every German text on AO3
                    (more precisely texts marked as German by the creator) and the corresponding
                    metadata by using the language-based search function of AO3. AO3 explicitly
                    allows the scraping of their content in their terms of use. Filtering AO3 for
                    languages shows that 93% of all texts are marked as English, while only 7% are
                    non-English. Overall, the German texts account for 0.2% of all AO3 material
                    only. We acquired the German texts in September 2019. We filtered out any
                    non-German text as well as pages containing solely links, pictures or text pages
                    that were empty. This reduced the overall number of writings to 9,640<note
                        place="foot" xml:id="ftn3" n="3">
                        <p rend="footnote text" style="text-align: left;"> Due to legal issues the
                            corpus is currently only available upon request via mail (<ref
                                target="mailto:thomas.schmidt@ur.de">thomas.schmidt@ur.de</ref>). We
                            will publish parts of the corpus via the following GitHub repository:
                                <ref target="https://github.com/lauchblatt/German_Fan_Fictions"
                                >https://github.com/lauchblatt/German_Fan_Fictions</ref>. </p>
                    </note>. </p>
                <p>Next to the text, AO3 offers a rich set of metadata which is currently in the
                    focus of our analysis. Table 1 summarizes the attributes of the items of the
                    corpus. Table 2 illustrates the basic statistics of the corpus. Tokenization was
                    performed via the <hi rend="italic">NLTK</hi> standard tokenizer<note
                        place="foot" xml:id="ftn4" n="4">
                        <p rend="footnote text">
                            <ref target="https://www.nltk.org/api/nltk.tokenize.html"
                                >https://www.nltk.org/api/nltk.tokenize.html</ref>
                        </p>
                    </note> and sentence splitting via NLTK and the <hi rend="italic">Punkt</hi>
                    sentence splitter<note place="foot" xml:id="ftn5" n="5">
                        <p rend="footnote text">
                            <ref target="http://www.nltk.org/_modules/nltk/tokenize/punkt.html"
                                >http://www.nltk.org/_modules/nltk/tokenize/punkt.html</ref>
                        </p>
                    </note>. </p>
                <figure>
                    <graphic n="1001" width="16.002cm" height="9.789583333333333cm" url="Pictures/0d310e07d77b286589a9746d9f14a765.png" rend="inline"/>
                </figure>
                <p>Table 1. Structure of a corpus item.</p>
                <figure>
                    <graphic n="1002" width="16.002cm" height="7.290152777777778cm" url="Pictures/fd4407e3c5f20a3e5c254a17771bc80f.png" rend="inline"/>
                </figure>
                <p>Table 2. Token and sentence statistics.</p>
            </div>
            <div type="div1" rend="DH-Heading1">
                <head>Metadata analysis</head>
                <p>We present and discuss results about metadata analysis that show specific
                    expressions of German culture and therefore allow us to further investigate
                    differences and features in online writings and fan culture. To identify
                    nation-specific differences we compared results of our corpus to research on
                    English-dominated corpora (Milli / Bamman 2016; Yin et al. 2017) as well as on
                    fan-based analysis on AO3 in general<note place="foot" xml:id="ftn6" n="6">
                        <p rend="footnote text" style="text-align: left;"> For more information
                            visit: <ref
                                target="https://destinationtoast.tumblr.com/post/157728590234/toastystats-top-fandoms-on-ao3-as-of-february-26"
                                >https://destinationtoast.tumblr.com/post/157728590234/toastystats-top-fandoms-on-ao3-as-of-february-26</ref>
                        </p>
                    </note>. </p>
                <p>We found that many of the most popular fandoms are indeed specific expressions of
                    German culture (table 3). The most popular one being <hi rend="italic"
                        >Tatort</hi>: a German Sunday evening police procedural television series.
                    Fan fictions based on real persons from popular sports in Germany like soccer
                    and ski jumping are also rather popular in Germany. Taking the most popular
                    relationships into account, we also found that stories about the two famous
                    German poets <hi rend="italic">Schiller</hi> and <hi rend="italic">Goethe</hi>
                    are quite frequent (table 6). Other than that, fandom distributions are similar
                    to other research (Milli / Bamman 2016; Yin et al. 2017) with <hi rend="italic"
                        >Harry Potter</hi>, <hi rend="italic">Supernatural</hi> and <hi
                        rend="italic">Sherlock</hi> being among the most popular fandoms. It is
                    often argued that the rise of fan fictions is strongly intertwined with Anime in
                    Germany (Cuntz-Leng / Meintzinger 2015); however, in our corpus the most popular
                    Anime-fandom is <hi rend="italic">Naruto</hi> with only 97 stories showing that
                    Anime is not as popular as in general on AO3. </p>
                <figure>
                    <graphic n="1003" width="16.002cm" height="11.176cm" url="Pictures/3a6447f4500b14beb7cf58ec4006d211.png" rend="inline"/>
                </figure>
                <p>Table 3. Distribution of fandoms.</p>
                <p>One of the most striking attributes of the corpus is the dominance of male-male relationships (table 4) and male characters in general as shown by the analysis of most popular characters (table 5), which are predominantly male, and the most popular relationships which are all male (table 6). The popularity of this type of stories is a well-documented attribute of fan fictions (cf. Hellekson / Busse 2006). Please note that this content does not have to be erotic or sexualized but is mostly focused on romance and friendship as can be seen in the analysis of additional tags (table 7). While research in the humanities focuses on explaining this popularity via gender and political discourse (Duggan 2017; Hellekson / Busse 2006; Tosenberger 2008), we also plan to support this research with computational methods.</p>
                <figure>
                    <graphic n="1004" width="16.002cm" height="6.369402777777778cm" url="Pictures/092930101bdc8ea286109cd4afebb391.png" rend="inline"/>
                </figure>
                <p>Table 4. Distribution of relationship categories.</p>
                <figure>
                    <graphic n="1005" width="16.002cm" height="10.375194444444444cm" url="Pictures/5460bf85bbd1010ae924ade06f7834c0.png" rend="inline"/>
                </figure>
                <p>Table 5. Distribution of the most frequent character tags.</p>
                <figure>
                    <graphic n="1006" width="16.002cm" height="7.514166666666667cm" url="Pictures/2d722c975b852966007e59cca4a0c82d.png" rend="inline"/>
                </figure>
                <p>Table 6. Distribution of the 10 most frequent character relationships.</p>
                <figure>
                    <graphic n="1007" width="16.002cm" height="11.248319444444444cm" url="Pictures/bd82ec8684223b59be12aa63b72e11ab.png" rend="inline"/>
                </figure>
                <p>Table 7. Distribution of the 10 most frequent additional tags.</p>
                <p>While we focus on metadata analysis in this paper, we also have performed some
                    basic text analyses. Table 8 illustrates the most frequent words of the entire
                    corpus after stop word removal. Striking is the rather frequent usage of terms
                    describing physical attributes (<hi rend="italic">augen</hi>, <hi rend="italic"
                        >hand</hi>, <hi rend="italic">kopf</hi>, <hi rend="italic">gesicht</hi>, <hi
                        rend="italic">stimme</hi>). Since the data considering the metadata show
                    that most stories are relationship- and romance-driven, we assume that those
                    terms point to romantic and erotic descriptions and actions of the characters. </p>
                <figure>
                    <graphic n="1008" width="16.002cm" height="23.004638888888888cm" url="Pictures/0dd79f1c23781bab8f6c352fd5e69b68.png" rend="inline"/>
                </figure>
                <p>Table 8. Most frequent Tokens.</p>
            </div>
            <div type="div1" rend="DH-Heading1">
                <head>Future work</head>
                <p>We were able to gain insights about expressions of German culture in fan fictions showing that it is reasonable not to focus on English language corpora alone. We are currently planning to continue our work in various ways: We want to investigate the phenomenon of 
                    <hi rend="italic">Tatort</hi>-fanfictions more precisely applying methods of distant and close reading. Indeed, there is a long tradition of German literary and media studies for the analysis of this TV show (Buhl 2013). We plan to work closely together with media studies scholars to investigate this special part of German culture in more detail. We also plan to extend the corpus by exploring larger and more popular fan fiction platforms in Germany like 
                    <hi rend="italic">FanFiktion.de</hi>. Furthermore, we see potential in applying methods that have proven to be beneficial in other DH-contexts like sentiment analysis (Sprugnoli et al. 2016; Schmidt / Burghardt 2018a; Schmidt / Burghardt 2018b; Schmidt et al. 2019b), collocation analysis (Schmidt et al. 2020d), text visualization (Schmidt et al. 2019a), network analysis (Painter et al. 2019) and topic modeling (Schmidt et al. 2020b; Schöch 2021). 
                </p>
            </div>
        </body>
        <back>
            <div type="bibliogr">
                <listBibl>
                    <head>Bibliography</head>
                    <bibl>
                        <hi rend="bold">Buhl, Hendrik</hi> (2013): <hi rend="italic">Tatort:
                            gesellschaftspolitische Themen in der Krimireihe</hi>. Konstanz: UVK. </bibl>
                    <bibl>
                        <hi rend="bold">Cuntz-Leng, Vera</hi> / <hi rend="bold">Meintzinger,
                            Jacqueline</hi> (2015): "A brief history of fan fiction in Germany", in:
                            <hi rend="italic">Transformative Works and Cultures</hi> 19 DOI: &lt;
                            <ref target="https://doi.org/10.3983/twc.2015.0630"
                            >https://doi.org/10.3983/twc.2015.0630</ref>&gt;. </bibl>
                    <bibl>
                        <hi rend="bold">Duggan, Jennifer</hi> (2017): "Revising hegemonic
                        masculinity: Homosexuality, masculinity, and youth-authored Harry Potter fan
                        fiction", in: <hi rend="italic">Bookbird</hi> A Journal of International
                        Children's Literature 55, 2: 38-45. </bibl>
                    <bibl>
                        <hi rend="bold">Dym, Brianna</hi> / <hi rend="bold">Aragon, Cecilia</hi> /
                            <hi rend="bold">Bullard, Julia</hi> / <hi rend="bold">Davis, Ruby</hi> /
                            <hi rend="bold">Fiesler, Casey</hi> (2018): "Online Fandom: Boldly Going
                        Where Few CSCW Researchers Have Gone Before", in: <hi rend="italic"
                            >Companion of the 2018 ACM Conference on Computer Supported Cooperative
                            Work and Social Computing</hi>. November 3–7, 2018, Jersey City, NJ,
                        USA. ACM 121-124. </bibl>
                    <bibl>
                        <hi rend="bold">Fast, Ethan</hi> / <hi rend="bold">Vachovsky, Tina</hi> /
                            <hi rend="bold">Bernstein, Michael S.</hi> (2016): "Shirtless and
                        dangerous: Quantifying linguistic signals of gender bias in an online
                        fiction writing community", in: <hi rend="italic">Tenth International AAAI
                            Conference on Web and Social Media</hi> &lt;<ref
                            target="https://hci.stanford.edu/publications/2016/ethan/gender.pdf"
                            >https://hci.stanford.edu/publications/2016/ethan/gender.pdf</ref>&gt;
                        [02.09.2021]. </bibl>
                    <bibl>
                        <hi rend="bold">Frens, John</hi> / <hi rend="bold">Davis, Ruby</hi> / <hi
                            rend="bold">Lee, Jihyun</hi> / <hi rend="bold">Zhang, Diana</hi> / <hi
                            rend="bold">Aragon, Cecilia</hi> (2018): "Reviews Matter: How
                        Distributed Mentoring Predicts Lexical Diversity on Fan fiction", preprint
                        in: <hi rend="italic"> arXiv.org</hi> &lt;<ref
                            target="https://arxiv.org/abs/1809.10268"
                            >https://arxiv.org/abs/1809.10268</ref>&gt; [02.09.2021]. </bibl>
                    <bibl>
                        <hi rend="bold">Hellekson, Karen</hi> / <hi rend="bold">Busse, Kristina</hi>
                        (2006): <hi rend="italic">Fan Fiction and Fan Communities in the Age of the
                            Internet. </hi> New Essays. Jefferson, NC: McFarland. </bibl>
                    <bibl>
                        <hi rend="bold">Jamison, Anne</hi> (2013): <hi rend="italic">Fic: Why fan
                            fiction is taking over the world.</hi> Dallas, Texas: BenBella Books. </bibl>
                    <bibl>
                        <hi rend="bold">Liu, Chen</hi> / <hi rend="bold">Osama, Muhammad</hi> / <hi
                            rend="bold">De Andrade, Anderson</hi> (2019): "DENS: A Dataset for
                        Multi-class Emotion Analysis", preprint in: <hi rend="italic">
                            arXiv.org</hi> &lt;<ref target="https://arxiv.org/abs/1910.11769"
                            >https://arxiv.org/abs/1910.11769</ref>&gt;. </bibl>
                    <bibl>
                        <hi rend="bold">Milli, Smitha</hi> / <hi rend="bold">Bamman, David</hi>
                        (2016): "Beyond canonical texts: A computational analysis of fan fiction",
                        in: <hi rend="italic">Proceedings of the 2016 Conference on Empirical
                            Methods in Natural Language Processing</hi> 2048-2053. </bibl>
                    <bibl>
                        <hi rend="bold">Moßburger, Luis</hi> / <hi rend="bold">Wende, Felix</hi> /
                            <hi rend="bold">Brinkmann, Kay</hi> / <hi rend="bold">Schmidt, Thomas
                            (2020):</hi> "Exploring Online Depression Forums via Text Mining: A
                        Comparison of Reddit and a Curated Online Forum", in: <hi rend="italic"
                            >Proceedings of the Fifth Social Media Mining for Health Applications
                            Workshop &amp; Shared Task</hi> 70-81. </bibl>
                    <bibl>
                        <hi rend="bold">Muttenthaler, Lukas</hi> / <hi rend="bold">Lucas,
                            Gordon</hi> / <hi rend="bold">Amann, Janek</hi> (2019): "Authorship
                        Attribution in Fan-Fictional Texts given variable length Character and Word
                        N-Grams", in: <hi rend="italic">Working Notes of CLEF 2019</hi> Conference
                        and Labs of the Evaluation Forum. </bibl>
                    <bibl>
                        <hi rend="bold">Painter, Deryc T.</hi> / <hi rend="bold">Daniels, Bryan
                            C.</hi> / <hi rend="bold">Jost, Jürgen</hi> (2019): "Network analysis
                        for the digital humanities: principles, problems, extensions", in: <hi
                            rend="italic">Isis</hi> 110, 3: 538-554. </bibl>
                    <bibl>
                        <hi rend="bold">Pianzola, Federico</hi> / <hi rend="bold">Rebora,
                            Simone</hi> / <hi rend="bold">Lauer, Gerhard</hi> (2020): "Wattpad as a
                        resource for literary studies. Quantitative and qualitative examples of the
                        importance of digital social reading and readers’ comments in the margins",
                        in: <hi rend="italic">PloS one</hi> 15, 1: e0226708. </bibl>
                    <bibl>
                        <hi rend="bold">Rebora, Simone</hi> / <hi rend="bold">Pianzola,
                            Federico</hi> (2018): "A New Research Programme for Reading Research:
                        Analysing Comments in the Margins on Wattpad", in: <hi rend="italic"
                            >DigitCult-Scientific Journal on Digital Cultures</hi> 3, 2: 19-36. </bibl>
                    <bibl>
                        <hi rend="bold">Schmidt, Thomas</hi> / <hi rend="bold">Burghardt,
                            Manuel</hi> (2018a): "An Evaluation of Lexicon-based Sentiment Analysis
                        Techniques for the Plays of Gotthold Ephraim Lessing", in: Association for
                        Computational Linguistics (ed.): <hi rend="italic">Proceedings of the Second
                            Joint SIGHUM Workshop on Computational Linguistics for Cultural
                            Heritage, Social Sciences, Humanities and Literature.</hi> Santa Fe, New
                        Mexico 139-149. </bibl>
                    <bibl>
                        <hi rend="bold">Schmidt, Thomas</hi> / <hi rend="bold">Burghardt,
                            Manuel</hi> (2018b): "Toward a Tool for Sentiment Analysis for German
                        Historic Plays", in: Piotrowski, Michael (ed.): <hi rend="italic">COMHUM
                            2018: Book of Abstracts for the Workshop on Computational Methods in the
                            Humanities 2018.</hi> Lausanne, Switzerland: Laboratoire laussannois
                        d'informatique et statistique textuelle 46-48. </bibl>
                    <bibl>
                        <hi rend="bold">Schmidt, Thomas</hi> / <hi rend="bold">Kleindienst,
                            Nina</hi> (2020): "Investigating the Transformation of Original Work by
                        the Online Fan Fiction Community. A Case Study for Supernatural", in: <hi
                            rend="italic">Digital Practices.</hi> Reading, Writing and Evaluation on
                        the Web. November 23–25, 2020, University of Basel, Switzerland. </bibl>
                    <bibl>
                        <hi rend="bold">Schmidt, Thomas</hi> / <hi rend="bold">Burghardt,
                            Manuel</hi> / <hi rend="bold">Dennerlein, Katrin</hi> / <hi rend="bold"
                            >Wolff, Christian</hi> (2019a): "Katharsis. A Tool for Computational
                        Drametrics", in: <hi rend="italic">Digital Humanities Conference 2019 (DH
                            2019).</hi> Book of Abstracts. Utrecht, Netherlands. </bibl>
                    <bibl>
                        <hi rend="bold">Schmidt, Thomas</hi> / <hi rend="bold">Burghardt,
                            Manuel</hi> / <hi rend="bold">Wolff, Christian</hi> (2019b): "Towards
                        Multimodal Sentiment Analysis of Historic Plays: A Case Study with Text and
                        Audio for Lessing’s Emilia Galotti", in: <hi rend="italic">Proceedings of
                            the DHN (DH in the Nordic Countries) Conference.</hi> Copenhagen,
                        Denmark 405-414. </bibl>
                    <bibl>
                        <hi rend="bold">Schmidt, Thomas</hi> / <hi rend="bold">Hartl, Philipp</hi> /
                            <hi rend="bold">Ramsauer, Dominik</hi> / <hi rend="bold">Fischer,
                            Thomas</hi> / <hi rend="bold">Hilzenthaler, Andreas</hi> / <hi
                            rend="bold">Wolff, Christian</hi> (2020a): "Acquisition and Analysis of
                        a Meme Corpus to Investigate Web Culture", in: <hi rend="italic">Digital
                            Humanities Conference 2020 (DH 2020).</hi> Virtual Conference. </bibl>
                    <bibl>
                        <hi rend="bold">Schmidt, Thomas</hi> / <hi rend="bold">Bauer, Marlene</hi> /
                            <hi rend="bold">Habler, Florian</hi> / <hi rend="bold">Heuberger,
                            Hannes</hi> / <hi rend="bold">Pilsl, Florian</hi> / <hi rend="bold"
                            >Wolff, Christian</hi> (2020b): "Der Einsatz von Distant Reading auf
                        einem Korpus deutschsprachiger Songtexte", in <hi rend="italic">DHd 2020.
                        </hi>Book of abstracts 296-299. </bibl>
                    <bibl>
                        <hi rend="bold">Schmidt, Thomas</hi> / <hi rend="bold">Kaindl, Florian</hi>
                        / <hi rend="bold">Wolff, Christian</hi> (2020c): "Distant Reading of
                        Religious Online Communities: A Case Study for Three Religious Forums on
                        Reddit", in: <hi rend="italic">Proceedings of the Digital Humanities in the
                            Nordic Countries 5th Conference (DHN 2020).</hi> Riga, Latvia. </bibl>
                    <bibl>
                        <hi rend="bold">Schmidt, Thomas</hi> / <hi rend="bold">Kaindl, Florian</hi>
                        / <hi rend="bold">Wolff, Christian</hi> (2020d): "Visualizing Collocations
                        in Religious Online Forums", in: <hi rend="italic">Digital Humanities
                            Conference 2020 (DH 2020).</hi> Virtual Conference. </bibl>
                    <bibl>
                        <hi rend="bold">Schöch, Christof</hi> (2021): "Topic modeling genre: an
                        exploration of french classical and enlightenment drama", preprint in: <hi
                            rend="italic">arXiv.org</hi> &lt;<ref
                            target="https://arxiv.org/abs/2103.13019v1"
                            >https://arxiv.org/abs/2103.13019v1</ref>&gt; [02.09.2021]. </bibl>
                    <bibl>
                        <hi rend="bold">Sprugnoli, Rachele</hi> / <hi rend="bold">Tonelli, Sara</hi>
                        / <hi rend="bold">Marchetti, Alessandro</hi> / <hi rend="bold">Moretti,
                            Giovanni</hi> (2016): "Towards sentiment analysis for historical texts",
                        in:  <hi rend="italic">Digital Scholarship in the Humanities</hi> 31, 4:
                        762-772. </bibl>
                    <bibl>
                        <hi rend="bold">Thomas, Bronwen</hi> (2011): "What Is Fan fiction and Why
                        Are People Saying Such Nice Things about It?" In: <hi rend="italic"
                            >Storyworlds</hi> A Journal of Narrative Studies 3: 1-24. </bibl>
                    <bibl>
                        <hi rend="bold">Tosenberger, Catherine</hi> (2008): "Homosexuality at the
                        online Hogwarts: Harry Potter slash fan fiction", in: <hi rend="italic"
                            >Children's Literature </hi>36, 1: 185-207. </bibl>
                    <bibl>
                        <hi rend="bold">Van Steenhuyse, Veerle</hi> (2011): "The writing and reading
                        of fan fiction and transformation theory", in: <hi rend="italic">CLCWeb:
                            Comparative Literature and Culture</hi> 13, 4 &lt;<ref
                            target="https://docs.lib.purdue.edu/cgi/viewcontent.cgi?article=1691&amp;context=clcweb"
                            >https://docs.lib.purdue.edu/cgi/viewcontent.cgi?article=1691&amp;context=clcweb</ref>&gt;
                        [02.09.2021]. </bibl>
                    <bibl>
                        <hi rend="bold">Vilares, David</hi> / <hi rend="bold">Gómez-Rodríguez,
                            Carlos</hi> (2019): "Harry Potter and the Action Prediction Challenge
                        from Natural Language", preprint in: <hi rend="italic">arXiv.org</hi>
                            &lt;<ref target="https://arxiv.org/abs/1905.11037"
                            >https://arxiv.org/abs/1905.11037</ref>&gt;. </bibl>
                    <bibl>
                        <hi rend="bold">Yin, Kodlee</hi> / <hi rend="bold">Aragon, Cecilia</hi> /
                            <hi rend="bold">Evans, Sarah</hi> / <hi rend="bold">Davis, Katie</hi>
                        (2017): "Where No One Has Gone Before: A Meta-Dataset of the World's Largest
                        Fan fiction Repository", in: <hi rend="italic">Proceedings of the 2017 CHI
                            Conference on Human Factors in Computing Systems</hi>. ACM 6106-6110. </bibl>
                    <bibl>
                        <hi rend="bold">Zhang, Weiwei</hi> / <hi rend="bold">Cheung, Jacki C.
                            K.</hi> / <hi rend="bold">Oren, Joel</hi> (2019): "Generating Character
                        Descriptions for Automatic Summarization of Fiction", in: <hi rend="italic"
                            >Proceedings of the AAAI Conference on Artificial Intelligence</hi> 33:
                        7476-7483. </bibl>
                </listBibl>
            </div>
        </back>
    </text>
</TEI>
